Berlinde de Bruyckere： Schmerzensmann 比利时艺术家作品集 阿里云 kindle chm umd 极速 pdf txt 下载

Belgian artist Berlinde de Bruyckere works in wax, wood, wool, horse skin and hair, among other materials, creating compelling forms that suggest distorted human and animal bodies. Her figures are often faceless and fragmentary, perched precariously on high stools or suspended from walls, ceilings or tall iron columns. Each of the eight works illustrated here is photographed from multiple views and approaches, offering the reader their intricate "skin" textures and presence at closer range than would be possible if one were standing in front of the works in a gallery. De Bruyckere was born in Ghent in 1964, and came to international attention at the 2003 Venice Biennale, and has since shown in Paris, Berlin and London.

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Berlinde de Bruyckere (born Ghent,1964) won international acclaim at the 2003 Venice Biennale, when her sculptures were shown in the Italian Pavilion. Amongst recent exhibitions is her solo presentation at Hauser & Wirth London (2006), exhibitions at the Kunsthalle Düsseldorf (2007) and the Kunstmuseum Lucerne (2007). This year her work was shown in the group show ‚After Nature’ at the New Museum in New York and in her first solo exhibition in the US, at Yvon Lambert in New York. Berlinde De Bruyckere lives and works in Ghent.

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About the Author

　　Berlinde de Bruyckere (born Ghent,1964) won international acclaim at the 2003 Venice Biennale, when her sculptures were shown in the Italian Pavilion. Since then, her solo exhibitions have included Hauser & Wirth Zurich (2004); De Pont Foundation for Contemporary Art, Tilburg (2005) and 'One' at La Maison Rouge, Fondation Antoine de Galbert, Paris (2005). This year, her work was included in the 4th Berlin Biennial for Contemporary Art and was exhibited in a two-artist show at the Kunsthalle D sseldorf. Berlinde de Bruyckere lives and works in Ghent.

书籍介绍

This book focuses on recent sculptures and installations by Belgian artist Berlinde de Bruyckere and provides a rare and intimate glimpse into her studio and working process. De Bruyckere uses a range of sculptural media, including wax, wood, wool, horse skin, and hair which are combined to create compelling forms that suggest distorted human and animal bodies. Her figures are often faceless, malformed and fragmentary. They perch precariously on high stools or are suspended from the walls, ceiling or tall iron columns. At first their shape seems familiar although they resist interpretation, offering a disturbing vision of fragility and suffering and they appear vulnerable and violated, their skin stretched and broken. The works presented in the book invoke the Schmerzensmann, the eternal “Man of Suffering”,and focuses on eight sculptures in wax, one of the artist’s preferred materials. The texture of the pallid wax suggests a skin so thin and fragile that it is almost translucent. Close inspection reveals subtly mottled hues and textures that imply vulnerability to heat and cold but also to the more intangible threat of violence and fear. Each of the eight sculptures is illustrated from many viewpoints, offering the chance to examine in detail their form, surface texture, spatiality and relation to the viewer.