舒伯特弥撒曲作品第5和第6号全谱Masses Nos. 5 And 6 in Full Score 阿里云 kindle chm umd 极速 pdf txt 下载

In the autumn of 1819, refreshed from a three-month stay in the Austrian

countryside, Franz Schubert returned to Vienna to begin one of his major choral

works, the great Mass in A-fiat Major. Completed three years later, this work has

been praised as a grand harmonic adventure with deeply affecting moments of rare

poignance. Along with the Mass No. 6 in E-flat Maior, it is the most performed of

Schubert's masses. The latter work--composed in 1828, the year of his death

was

among the final musical achievements of Schubert's brief life. It is especially

memorable for its touching commemoration of the birth of Christ in a haunting

lullaby, and its powerful evocation of the cruel spectacle of the crucifixion.

Both masterworks of church music have been reprinted from the definitive Breitkopf & Hartel Critical Edition of 1884-1897. Separate English translations of the Latin texts are provided.

Texts and Translations

Notes viii

Instrumentation: Mass No.5

Instrumentation: Mass No.6

Mass No.5 in A-flat Major (D678)

For solo vocal quartet, chorus and orchestra with organ

[Composed 1819-22.1st edition published 1875; 2nd edition, 1887.]

Kyrie

Gloria

Credo

Sanctus

Benedictus

Agnus Dei

Supplement 1: Cure sancto Spiritu

Supplement II: Second Version of the Hosanna

Mass No.6 in E-flat Major (D950)

For solo vocal quartet,* chorus and orchestra

[Composition begun June 1828.Published 1865.]

Kyrie

Gloria

Credo

Sanctus

Benedictus

Agnus Dei

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