101 Things I Learned in Film School 阿里云 kindle chm umd 极速 pdf txt 下载

How to set a scene? What's the best camera angle? How does the new technology interact with scenes? And how does one even get the financing to make a movie? These basic questions and much more are all covered in this exquisite packaged book on the film industry and making movies as a profession. Written by Neil Landau, an experienced screenwriter and script consultant to the major movie studios, this is the perfect book for anyone who wants to know about the inner-workings of this industry. Whether it's someone who wants to make movies as a ful l -timecareer, or just someone who is interested in film, this book covers it all

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：101 Things I Learned in Film School在线阅读

在线听书地址：101 Things I Learned in Film School在线收听

在线购买地址：101 Things I Learned in Film School在线购买

角色最好使用演出而非解释的方式来呈现。利用精心设计的视觉线索，把看不见的内心转折、隐秘往事和情绪冲突展现出来，效果会比直接说明好很多。

背景故事指的是影片开始之前发生的事情：童年的创伤，新近的危机，长久的积怨，实际场景的历史，等等。最好是借由随意偶然但效果十足的线索，以拐弯抹角的方式把背景故事透露出来。

如果股市缺乏张力，通常是因为：1.没有把面临威胁的东西界定清楚；2.面临威胁的东西不够有分量；3.对手不足以构成威胁。

注意：

想好你的主题，也就是把你的电影构想浓缩在一句话里面。如果你想不出来，那表示你的构想还不到可以简报的程度。

清楚说明电影的类型、调性、时代范围和主要场景。

介绍主角，说明他或她有什么吸引人的魅力。

把电影的开头、中间和结尾说得栩栩如生，引人入胜，要特别强调其中的情感冲突。不用巨细靡遗。

情节指的是电影里发生的事情；故事指的是主角对于这些事情的感受。

要将小说改编成电影剧本需要经过非常困难的翻转过程：要把明确变隐约，把无形变有形。

书籍介绍

How to set a scene? What's the best camera angle? How does the new technology interact with scenes? And how does one even get the financing to make a movie? These basic questions and much more are all covered in this exquisite packaged book on the film industry and making movies as a profession. Written by Neil Landau, an experienced screenwriter and script consultant to the major movie studios, this is the perfect book for anyone who wants to know about the inner-workings of this industry. Whether it's someone who wants to make movies as a ful l -timecareer, or just someone who is interested in film, this book covers it all