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　　Arnold Schoenberg – composer, theorist, teacher, painter, and

one of the most important and controversial figures in

twentieth-century music. This Companion presents engaging essays by

leading scholars on Schoenberg's central works, writings, and ideas

over his long life in Vienna, Berlin, and Los Angeles. Challenging

monolithic views of the composer as an isolated elitist, the volume

demonstrates that what has kept Schoenberg and his music

interesting and provocative was his profound engagement with the

musical traditions he inherited and transformed, with the broad

range of musical and artistic developments during his lifetime he

critiqued and incorporated, and with the fundamental cultural,

social, and political disruptions through which he lived. The book

provides introductions to Schoenberg's most important works, and to

his groundbreaking innovations including his twelve-tone

compositions. Chapters also examine Schoenberg's lasting influence

on other composers and writers over the last century.

Chronology of Schoenberg's life and works

1. Introduction Jennifer Shaw and Joseph Auner

Part I. Schoenberg's Early Years:

2. Schoenberg's Lieder Walter Frisch

3. Schoenberg and the tradition of chamber music for strings

Michael Cherlin

4. Two early Schoenberg songs: monotonality, multitonality and

schwebende Tonalit?t Robert P. Morgan

5. Arnold Schoenberg and Richard Strauss Craig De Wilde

Part II. Schoenberg, Modernism, and Modernity:

6. Interpreting Erwartung: collaborative process and early

reception Elizabeth Keathley

7. The rise and fall of radical athematicism Ethan Haimo

8. Schoenberg, modernism, and metaphysics Julian Johnson

9. Pierrot lunaire: persona, voice, and the fabric of allusion

Richard Kurth

Part III. Schoenberg Between the World Wars:

10. Schoenberg as teacher Joy H. Calico

11. Schoenberg, satire, and the Zeitoper Peter Tregear

12. Schoenberg's row tables: temporality and the idea Joseph

Auner

13. Immanence and transcendence in Moses und Aron Richard

Kurth

14. On Jewish history and identity: approaches to Schoenberg as Jew

Steven J. Cahn

Part IV. Schoenberg's American Years:

15. Cadence after thirty-three years: Schoenberg's Second Chamber

Symphony, Op. 38 Severine Neff

16. Schoenberg's collaborations Jennifer Shaw

17. Listening to Schoenberg's Piano Concerto Walter B. Bailey

18. Schoenberg's reception in America, 1933–1951 Sabine

Feisst

19. Schoenberg: dead or alive? His reception amongst the post-war

European avant-garde Richard Toop.

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书籍介绍

Arnold Schoenberg - composer, theorist, teacher, painter, and one of the most important and controversial figures in twentieth-century music. This Companion presents engaging essays by leading scholars on Schoenberg's central works, writings, and ideas over his long life in Vienna, Berlin, and Los Angeles. Challenging monolithic views of the composer as an isolated elitist, the volume demonstrates that what has kept Schoenberg and his music interesting and provocative was his profound engagement with the musical traditions he inherited and transformed, with the broad range of musical and artistic developments during his lifetime he critiqued and incorporated, and with the fundamental cultural, social, and political disruptions through which he lived. The book provides introductions to Schoenberg's most important works, and to his groundbreaking innovations including his twelve-tone compositions. Chapters also examine Schoenberg's lasting influence on other composers and writers over the last century.