REMEMBER ME TO HARLEM(ISBN=9780375727078) 英文原版 阿里云 kindle chm umd 极速 pdf txt 下载

　　Langston Hughes is widely remembered as a celebrated star of

the Harlem Renaissance -- a writer whose bluesy, lyrical poems and

novels still have broad appeal. What's less well known about Hughes

is that for much of his life he maintained a friendship with Carl

Van Vechten, a flamboyant white critic, writer, and photographer

whose ardent support of black artists was peerless.

Despite their differences — Van Vechten was forty-four to Hughes

twenty-two when they met–Hughes’ and Van Vechten’s shared interest

in black culture lead to a deeply-felt, if unconventional

friendship that would span some forty years. Between them they knew

everyone — from Zora Neale Hurston to Richard Wright, and their

letters, lovingly and expertly collected here for the first time,

are filled with gossip about the antics of the great and the

forgotten, as well as with talk that ranged from race relations to

blues lyrics to the nightspots of Harlem, which they both loved to

prowl. It’s a correspondence that, as Emily Bernard notes in her

introduction, provides “an unusual record of entertainment,

politics, and culture as seen through the eyes of two fascinating

and irreverent men.

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书籍介绍

Langston Hughes is widely remembered as a celebrated star of the Harlem Renaissance -- a writer whose bluesy, lyrical poems and novels still have broad appeal. What's less well known about Hughes is that for much of his life he maintained a friendship with Carl Van Vechten, a flamboyant white critic, writer, and photographer whose ardent support of black artists was peerless.

Despite their differences — Van Vechten was forty-four to Hughes twenty-two when they met–Hughes’ and Van Vechten’s shared interest in black culture lead to a deeply-felt, if unconventional friendship that would span some forty years. Between them they knew everyone — from Zora Neale Hurston to Richard Wright, and their letters, lovingly and expertly collected here for the first time, are filled with gossip about the antics of the great and the forgotten, as well as with talk that ranged from race relations to blues lyrics to the nightspots of Harlem, which they both loved to prowl. It’s a correspondence that, as Emily Bernard notes in her introduction, provides “an unusual record of entertainment, politics, and culture as seen through the eyes of two fascinating and irreverent men.